美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

陈恺,原名陈凯,上海人,中国当代实力画家,副教授 毕业于中央美术学院(微博)中国画系本科及硕士 现为北京电子科技职业学院艺术设计学院副教授 中国美术家协会会员,文化部青年美术家委员会委员,李可染画院特聘画家,江苏国画院特聘画家

美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

自幼受外祖父—著名花鸟画家孔小瑜先生和舅舅—著名山水画家孔仲起先生启蒙临习中国画,先后毕业于安徽省艺术学校美术科中国画专业,中央美术学院中国画系本科和攻读中央美术学院中国画系硕士学位。师从卢沉,姚有多,韩国榛,李少文,张凭,贾又福,田黎明,唐勇力等先生。 个人展览

美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

就画面中的境象构成来看:山石、溪湖、林木、亭台、楼阁构成了游园赏景的意象元素,畅游其中的女性有的弹奏琵琶、抚弄古筝、有的把玩长笛,更有舞文弄墨、作词赋诗者,极尽文人之雅事,当人物主体与这样的环境相融合,她们渗化于画面背景中,或与花鸟相伴,或与竹林相依,或池边赏荷,人与景同构为一种带有自然气息的文化景观。

美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

他的作品《都市之光》他选取了侧面的角度来描绘女子动作的姿态,可以说,每一笔都心思缜密,他画出了人物优美的体态,都市感十足的韵味,却独显纯净与澄澈。都市也是一个温暖的地方,相信这是他笔下或是记忆里最为信赖的。每个艺术家都有自己独特的审美情趣,他一定钟爱着他笔下的世界,而这就是作品的灵魂。

美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

就作品中的人物刻画而言,陈恺在把握形态的造型方式上极富多样化。他将写实手法的规范、严谨与写意风格的生动、率意进行结合,以人物的五官轮廓与形体结构为基础,进行适度的夸张变形,用艺术语言的演绎造就了形象的独特魅力,并把握住了形象自身的外在因素,以符合于具体的情境表现:有的身穿白裙,飘逸灵秀;有的身穿旗袍,典雅大方;还有的以现代装束示人,充满时代气息,在画面中,那些被一一表现的清丽女子,在艺术语汇的归纳、取舍中,以不同的服饰特色,文化习俗形成身份区别,典型化的塑造中也涌动着真善美的情感诉求。

美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

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美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

陈恺的这幅人物绘画作品,对于人物细节的把握,达到了一种游刃有余地步。这幅作品背景优美,人物形象生动。画家用不多的笔墨来进行人物细节上的刻画,这位现代女子坐于窗边,长长的窗帘拢在一边。她双腿叠加一起,头侧偏向一边。窗外是低地景色。画家笔下的人物浪漫而清新,充满了生气的同时也显得亲切感十足,虽然构图简洁,但是意境十分迷人,体现出了春景人物的精气神,营造出富有美好风格的画面的氛围。

美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

可以说,陈恺的作品有着强烈的人文气息,既能在技法运用上保持笔墨形式所具有的外在形式感与节奏感;同时,又能把风格统一于主题构思之中,不断得到凸显。在内外关系上,既保持形象的审美特征与观赏性,又强调其作品的文化内涵与艺术性,进而深化作品的思想深度与精神含量,传达出一种美而清谧,雅俗共赏的艺术风貌。陈恺的作品对传统有着一种精神守望与传承,对当下保持着一种文化自觉与清醒,他用思辨的眼光体味艺术,体味人生,展现时代的声音。

美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

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美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

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美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

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美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

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美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

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美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

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美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

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美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

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美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

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美院教授人体水墨画中的都市女郎竟如此性感,妖娆多姿!

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