艺术设计（综合设计基础）考试题目：画出你的大脑世界世界正处于百年未有之大变局，面对变局，每个人都有感知、判断和憧憬并做出反应。权重（weight）是一个个体对于整体的影响力大小的衡量指标，指某一因素或指标相对于某一事物的重要程度，其不同于一般的比重，体现的不仅仅是某一因素或指标所占的百分比，强调的是因素或指标的相对重要程度，倾向于贡献度或重要性。通常，权重可通过划分多个层次指标进行判断和计算，常用的方法包括层次分析法、模糊法、模糊层次分析法和专家评价法等。请根据考题要求，以不同的权重画出一张完整的画面。在卷面上须附有百字左右的作品说明。作品形式不限，表现语言、技法、色彩、风格及工具媒介不限。美术学（美术鉴赏）一、美术学的研究对象既包括“物”，也包括“人”。请举出你所认同的三位艺术“大师”，陈述你通过何种途径了解他（她）们以及他（她）们的艺术作品，他（她）们何以堪当“大师”之名？（60）二、1919年，法国艺术家杜尚在达·芬奇名作《蒙娜丽莎》的印刷品上用铅笔加上胡子，将其命名为《L.H.O.O.Q.》。请思考并回答以下问题：1.杜尚的“创作”体现在哪里？2.如果有人认为杜尚的作品不是“原创”而是“抄袭”，你是否同意他/她的看法？为什么？3.你知道其他类似的“抄袭”作品吗？4.如何评价此类作品在艺术史中的意义？（40分） 城市艺术设计（手绘表达）考题内容：《混维表达》进入新世纪以来，人类对客观物质世界的认识进入新的历史时期，科技进步极大地满足了人类的好奇心与想象力。请用以下三种元素：显微镜，一种微生物，一种海洋动物，组织画面，创作出一副主题性作品，请用单色表现，工具不限。 艺术史论（基础写作）|考题内容：一、翻译并回答问题1.文中提到的是哪个时代、哪位艺术家的哪件作品？2.根据自己的理解把这件作品画出来，并就自己的描绘写一段解说词。（30分）Leonardo undertook to execute, for Francesco del Giocondo, the portrait of Monna Lisa, his wife; and after toiling over it for four years, he left it unfinished; and the work is now in the collection of King Francis of France, at Fontainebleau. In this head, whoever wished to see how closely art could imitate nature, was able to comprehend it with ease; for in it were counterfeited all the minutenesses that with subtlety are able to be painted, seeing that the eyes had that lustre and watery sheen which are always seen in life, and around them were all those rosy and pearly tints, as well as the lashes, which cannot be represented without the greatest subtlety.The eyebrows, through his having shown the manner in which the hairs spring from the flesh, here more close and here more scanty, and curve according to the pores of the skin, could not be more natural. The nose, with its beautiful nostrils, rosy and tender, appeared to be alive. The mouth, with its opening, and with its ends united by the red of the lips to the flesh-tints of the face, seemed, in truth, to be not colours but flesh. In the pit of the throat, if one gazed upon it intently, could be seen the beating of the pulse. And, indeed, it may be said that it was painted in such a manner as to make every valiant craftsman, be he who he may, tremble and lose heart.He made use, also, of this device: Monna Lisa being very beautiful, he always employed, while he was painting her portrait, persons to play or sing, and jesters, who might make her remain merry, in order to take away that melancholy which painters are often wont to give to the portraits that they paint. And in this work of Leonardo’s there was a smile so pleasing, that it was a thing more divine than human to behold; and it was held to be something marvellous, since the reality was not more alive.